FROM THE ARTIST

“I love doing commissions. Most artists don’t, but it’s exciting working with people to to create something. I help them realize their vision.”

“It’s a non-rendered way of painting, which allows the viewer to complete the portrait in his or her mind’s eye, rather than merely reproducing a photo.”

“When I was a kid, I started to express an interest in drawing from nature, not just from my imagination. I turned from my internal vision to the outside world and drew anything I could get my hands on.”

- Jennet Inglis

Publications – partial list

“Jennet Inglis: Nature Studies in Pastel” by Craig Smith

For Inglis, painting isn’t a question of limited choices, even if she concentrates on one or two subjects or series at one time. It’s all about her relationship with paint, which is used to tell a tale.

The News Leader / Go Magazine, Feature Article - July 26, 2006 Staunton, Virginia

The News Virginian, “The Grandeur of It All” - Nov. 28, 2004 Waynesboro, Virginia

The Daily Progress, Feature Article - Nov. 11, 2003 Charlottesville, Virginia

Provincetown Magazine, Feature Article - Sept. 3, 1998 Provincetown, Rhode Island

The New Mexican / Pasatiempo Magazine, Feature Article - Oct. 31, 1997 Santa Fe

“Light Hidden in Darkness” - by Mario Andreas von Lüttichau
Museum Haus Marfeld Schwelm

“The work of Jennet Inglis captures, in the broadest sense, landscape and anthropomorphic nature, while still remaining abstract in their execution and, thus, to our eyes. At the same time, the colors and forms also describe sensations, show warm and cold, active and passive tension in their mutual competition, from a sort of dialogue with nature.”

Westfaliche Rundshau, “Paintings So Magnificent & Subtle” - May 20, 1996 Dusseldorf, Germany

Westfalenpost, “US Artist Puts Colors in the Foreground!” - May 20, 1996 Dusseldorf, Germany

World Congress on Art & Medicine, Feature Article - 1994 New York, New York